Zinn, Howard, A People’s History of the United States. New York: Harper Perennial Modern Classics, 2005.
Jeff Riggenbach, Why American History is Not What They Say: An Introduction to Revisionism, Auburn, Mises Institute, 2009.
Revisionism. The policy or practice of revision or modification; departure from the original interpretation of a theory, etc.; esp. the revision of Marxism on evolutionary socialist or pluralist principles. 2. The theory or practice of revising one's attitude to a previously accepted situation or point of view; spec. (orig. U.S.) a movement or process involving the revision of an established or accepted version of historical events.
Revisionist.orig?. U.S. A person who questions or revises a previously accepted version of historical phenomena or events.
“Inevitably history becomes what the historian chooses to point out.” - Simon Winder, The Man Who Saved Britain
“It is always difficult for the non-historian to remember that there is nothing absolute about historical truth” - Gordon Craig, “The Devil in the Details,” NY Review of Books, Sept. 19, 1996.
A crusty old professor of mine once told me that all history is opinion. The more I experience of history, and of life itself, the more I’m convinced he was spot on in his assessment. Indeed, like the doctor and lawyer, the (professional) historian is paid for expressing opinions, but he has other privileges, chief among them an especial perk not available even to the two aforementioned honorable professions, that is, to alter the way we see history itself. In other words, and put simpler, historians have the power to, well, rewrite history itself [1].
But not so fast. To wit, over time clichés and 'truisms' gradually creep into the conversation and are accepted uncritically as part of the historical record, and there emerges a historical consensus. Nowhere is this more egregious than in what we might call pop history. In any case, and getting back to revisionism, there are, happily, a few dissenting voices, which we usually refer to as revisionist, or less controversially, contrarian. In a perfect world all history could be characterized as revisionist [2], and rightly so: the historian’s job is to examine conventional interpretations of history and consider new evidence or interpret facts and events in a new light, applying new methodologies and fresh perspectives. In this sense it’s not such a step to also view creative writing as revisionist. We writers of fiction revisit the old formulas and provide new takes in, we hope, fresh and interesting ways.
Characteristically dry and uncontroversial, the Oxford English Dictionary’s entry above is hard to fault. But revisionism is more complicated than a mere definition, and, like some phrases – ‘feminist,’ ‘liberal,’ or ‘activist’ come to mind – the word itself has taken on a bad odor [3], to the point where it’s more or less synonymous with deliberate falsification and distortion. Recriminations and counter-recriminations abound with charges of conspiracy theory thinking at one-extreme and political correctness at the other. Thus anything labelled revisionist carries with it an emotional charge, and as a result it has been both praised and (mostly) damned by both the Left and the Right. Depending on the source, or audience, a revisionist historian may delight or infuriate: one person’s revisionist is another’s responsible, skeptical historian [4]. Like many things in the study of history - and politics - what's a revisionist and what is not is in the eye of the beholder.
A People’s History has garnered the most mainstream acceptance of any revisionist work – it's even used at a text at some high schools and colleges & universities. [6] It’s also been much reviewed and commented on: at last count well over a thousand (mostly favorable) reviews on Amazon alone.
Jeff Riggenbach is a kind of Zinn disciple, and his provocatively titled if much less well-known Why American History is Not What They Say offers a fresh and illuminating analysis, both as consideration of U.S. history as well as a meaty introduction to revisionist history in general. Included is a wealth of detail, but some topics and individuals get special attention: the Civil War, WWI, WWII, the Cold War, Zinn, and libertarian guru Murray Rothbard.
Why American History is Not What They Say presents its case in well organized and engaging, if wordy, style: the detail-rich content includes many sources listed in the text supplemented by a blizzard of footnotes. In fact Riggenbach’s book is so source-rich it wouldn’t be too much of an exaggeration to describe it as a gigantic bibliographic essay with some history and editorial comment sprinkled in.
For all its virtues – and flaws – Riggenbach’s tome is hardly the last word on revisionism, the nature of which precludes any conclusive or definitive statements. But Why American History is Not What They Say does an admirable job of synthesizing and summarizing the current state of revisionist art in a relatively even-handed, if ultimately sympathetic, fashion.
[1] However, the old adage you can have your own views but not your own facts hasn’t always been adhered to, and the practice of embroidering, censoring or softening historical facts to make a more palatable narrative for interested individuals, groups, or nations, certainly didn’t begin with our current climate in which the phenomenon seems to be taking on epic proportions. But that, as the man said, is another story, and another post. In a post elsewhere on this blog, I more or less take on this question directly and opine that all history is spin in that the historian wants to project a certain interpretation of events and persuade the reader to accept said interpretation.
[2] In his excellent book The Ever-Changing Past: Why All History is Revisionist History (Yale Univ. Press, 2021), author James Banner makes that very point. He demonstrates why historical knowledge is unlikely ever to be absolute, unchallenged and unchanging, and why history as a branch of knowledge is both a science and an art. Using several broad historical examples, he goes on to explain why all historians are revisionists as they seek to more fully understand the past, and how they always bring their distinct dispositions, perspectives, expertise, and yes, biases to the historical subjects they cover.
[3] Interesting that revisionism as a term doesn’t appear in the august Library of Congress Subject Headings. Rather, the term ‘Historiography’ is used, both as main heading and subheading.
[4 In recent years World War II has been especially fertile territory for revisionist and quasi-revisionist interpretations that, at least to some extent, take issue with the idea of WW2 as the ultimate Good War. British historian A.J.P. Taylor was one of the first to give an academic patina to World War II revisionist history with his The Origins of the Second World War, published in 1961. Other examples of WW2 revisionism might include: Patrick Buchanan, Churchill, Hitler, and "The Unnecessary War": How Britain Lost Its Empire and the West Lost the World, Crown, 2008; Nicholson Baker, Human Smoke: the Beginning of the Second World War and the End of Civilization, Simon & Schuster, 2008; Jörg Friedrich, The Fire: The Bombing of Germany, 1940-1945, Columbia Univ. Press, 2006; George H. Nash, ed., Freedom Betrayed: Herbert Hoover's Secret History of the Second World War and Its Aftermath, Hoover Institution Pr., 2011; Jacques R. Pauwels, The Myth of the Good War: America in the Second World War, Lorimer, 2002; Ashley Smith, “World War II: The Good War?” International Socialist Review, Issue 10, Winter 2000; Viktor Suvorov, The Chief Culprit: Stalin’s Grand Design to Start World War II, Naval Institute Press, 2013; M.S. King, The Bad War: The Truth Never Taught About World War II; Sean McMeekin, Stalin's War: A New History of World War II, Basic Books, 2021; Michael C.C. Adams, The Best War Ever: America and World War II, Johns Hopkins Univ. Press, 2015. See also: “A ‘good war’ no more: the new World War II revisionism.” In: Gavriel D. Rosenfeld, Hi Hitler!: How the Nazi Past is Being Normalized in Contemporary Culture, Cambridge Univ. Pr., 2015, pp. 29-77.
[5] “In one of his most iconoclastic essays, “The Anatomy of the State,” Murray Rothbard observed that it is crucial to ruling groups to manipulate the thinking of the ruled. They must get the populace to accept that the rulers are truly good people working tirelessly to advance the common good. Toward that end, the rulers employ a bag of tricks, among them the writing of history to cast the State in a positive light.” - George C. Leef, review of Riggenbach’s Why American History is Not What They Say.
[6] A People’s History “ ... has gone through five editions and multiple printings, been assigned in thousands of college courses, sold more than a million copies, and made the author something of a celebrity.” [Michael Kazin, “Howard Zinn’s History Lessons,” Dissent, Spring 2004].
Further reading:
Anders, Charlie Jane, “When Does Historical Revisionism Become Alternate History?”
Bacevich, Andrew J., “The Revisionist Imperative: Rethinking Twentieth Century Wars,”
Journal of Military History 76 (April 2012), pp. 333–42.
Conger, Cristen, How Revisionist History Works
Duberman, Martin, Howard Zinn: A Life on the Left, New Press, 2012
Fantina, Robert, Empire, Racism & Genocide: A History of U.S. Foreign Policy, Red Pill
Press, 2013
Hughes-Warrington, Marnie, Revisionist History, Routledge, 2013.
Judt, Tony, “What Have We Learned, if Anything?” NY Review of Books, 1 May 2008
Kirsch, Adam, "Is World War II still 'the Good War'?" NY Times, May 27, 2011
edition. London, Bookmarks, 2013.
Novick, Peter. That Noble Dream: The 'Objectivity Question' and the American
Historical Profession, Cambridge, 1988