Mysteria
[(DVD)]. Arramis Films presents a Mysteria LLC production in association with
Gruntworks Entertainment and Omnicomm Films; written and directed by Lucius C.
Kuert. [Boca Raton, Fla.]: Green Apple Entertainment, 2012. Originally released
as a motion picture in 2011. Performers: Martin Landau, Danny Glover, Billy
Zane, Michael Rooker, Robert Miano.
Summary: a has-been writer drafts the story of his life, and quite possibly his death. Once celebrated, Aleister Bain is now a whiskey-soaked, washed-up Hollywood screenwriter. Secluded in a sleazy hotel, he's desperately struggling to finish a script, with no success. But in this noir-esque thriller, truth is stranger than fiction and the chain-smoking Bain abruptly finds himself at the center of an investigation into the murder of a prominent politician's wife.
Summary: a has-been writer drafts the story of his life, and quite possibly his death. Once celebrated, Aleister Bain is now a whiskey-soaked, washed-up Hollywood screenwriter. Secluded in a sleazy hotel, he's desperately struggling to finish a script, with no success. But in this noir-esque thriller, truth is stranger than fiction and the chain-smoking Bain abruptly finds himself at the center of an investigation into the murder of a prominent politician's wife.
style ***
substance ***
Mysteria wasn’t
an easy film for me to warm to, but as I got accustomed to the quirky pacing and
flashback/flash forward style I liked it more and more until it became, as they
say, compulsively watchable. It's difficult to categorize Mysteria: the closest to a broad brushstroke description would be neo-noir, but more specifically it's a kind of existential
retro-thriller parody with lots of B movie overtones, which I suppose is a
long-winded way of saying it’s neo-noir.
The story takes place in a Los Angeles-like environ in a frozen, late 80s (or
thereabouts) gestalt, but it's all a little vague.
To some extent Mysteria
has to be catnip to fans of noir, and of course several noir films are
specifically mentioned, including The
Killing, the choppy, nonlinear style of which Mysteria mimics. Other films that are referenced, either by design
or no, include Dead of Night, The Usual Suspects,
Memento, and especially Mulholland
Drive.
Mysteria is
well-cast. The familiar names – Landau, Zane, and Glover – have what amount to
little more than extended cameos. But it's Robert Miano's movie all the way and he's
perfect for the role: he essays the confused, unkempt, unshaven,
needing-a-shower, always late, always-smoking-a-cigarette hero in eminently
underplayed style and somehow it works perfectly.
Mysteria pulls
out just about every neo-noir trope
in the book: along with the murky look and labyrinthine plot we have
near-caricatures of the sleazy private eye and especially the down-on-his-luck
screenwriter (is there any other kind?). Aleister Bain is a gin-swilling, chain
smoking, disheveled, onetime success who lives in a low-class hotel where he
can't pay his rent, and of course he has writer's block. A bright spot in his
life is the beautiful blonde film
student (played by Meadow Williams) who's his biggest fan and a kind of Gal
Friday wannabe.
Ultimately the story leaves quite a bit unresolved, to say the
least. And I like that. And as some
commentators have noted Mysteria was
obviously produced on a small budget, thus its mildly amateurish look and feel. But
that’s not a problem for me, in fact it’s more of a strength. In any case it’s
a fun movie.